In 2017, Disney made waves with its first-ever LGBTQ character, LeFou, in the live-action Beauty and Tthe Beast. Again, the moment was highly touted by director Bill Condon, who called it an “exclusively gay moment in a Disney movie.” It was another blink-and-you-miss-it moment at the end when Josh Gad’s LeFou dances with another man. The scene, unsurprisingly, stirred up backlash amongst fans, who were hoping for more representation than a remark in passing. “We’ve done four of these films and it was incredibly important to us to have a gay character represented somewhere in one of these four movies.”īut he was referring to another blink-and-you-miss-it moment with a man (played by Russo) in a support group talking about going on a date with a man. “Representation is really important for us in these movies and I think the thing we are happiest most about Marvel moving forward is it’s becoming incredibly diverse,” co-director Joe Russo said. The Rise of Skywalker, sadly, is not the first time that Disney has teased LGBTQ representation in one of its blockbusters, only to yield disappointing results.Įarlier this year, Avengers: Endgame featured Marvel’s first openly gay character. For those unfamiliar with the term, queerbaiting is the tactic of teasing or touting queer representation in a project to get the LGBTQ community interested and talking about it, then under-delivering on the promise. But is a two-second scene between minor characters really a form of proper representation?ĭisney has a long history of queerbaiting that has ramped up significantly in recent years. “In the case of the LGBTQ community, it was important to me that people who go to see this movie feel that they’re being represented in the film,” Abrams told Variety during the press tour. Abrams teased the moment prior to the film’s release as representation for the LGBTQ community. While the moment is technically history-making, is it on the right side of history?ĭirector J.J.
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